Para ver la cartelera de abril, haz click aqu\u00ed<\/em><\/p>\n
\nlunes 10
\n<\/strong><\/span>\u00ab<\/span>Del perduto amore<\/strong><\/span>\u00bb, Michele Placido, Italia, 1998, 101 min., color, 35mm
\n<\/span>18:00 h: <\/span>Programa especial internacional <\/strong><\/span>(colaboraci\u00f3n de Festival Flip UCV)
\n<\/span>Muestra animaci\u00f3n de Jes\u00fas P\u00e9rez<\/strong><\/span>, con presencia director boliviano
\n<\/span>martes 11
\n<\/strong><\/span>Funciones: solamente 13:30 y 16:00 h (por eventos del CCPLM)
\n<\/em><\/span>\u00ab<\/span>Ballo a tre passi<\/strong><\/span>\u00bb, Salvatore Mereu, Italia, 2003, 107 min., color, 35mm
\n<\/span>mi\u00e9rcoles 12
\n<\/strong><\/span>Funciones: solamente 13:30 y 16:00 h (por eventos del CCPLM)
\n<\/em><\/span>\u00ab<\/span>Sangue vivo<\/strong><\/span>\u00bb, Edoardo Winspeare, Italia, 2000, 95 min., color, 35mm
\n<\/span>ESTRENO PEL\u00cdCULA CHILENA RECUPERADA
\n<\/em><\/span>jueves 13<\/strong><\/span>, <\/span>viernes 14<\/strong><\/span>, <\/span>s\u00e1bado 15 <\/strong><\/span>y <\/span>domingo 16
\n<\/strong><\/span>\u00ab<\/span>Morir un poco<\/strong><\/span>\u00bb, \u00c1lvaro Covacevich, 1966, 75 min., b\/n, 35mm
\n<\/span>CINE CHILENO \u2022 ARCHIVO CINETECA NACIONAL
\n<\/em><\/span>lunes 17
\n<\/strong><\/span>\u00ab<\/span>Bajo la Cruz del Sur<\/strong><\/span>\u00bb, Adolfo Berschenko y Alberto Santana, 1947, 52 min., b\/n, DVD
\n<\/span>martes 18
\n<\/strong><\/span>\u00ab<\/span>El bur\u00f3crata Gonz\u00e1lez<\/strong><\/span>\u00bb, Tito Davison, 1964, 95 min., b\/n, 35mm
\n<\/span>mi\u00e9rcoles 19
\n<\/strong><\/span>\u00ab<\/span>Regreso al silencio<\/strong><\/span>\u00bb, Naum Kramarenco, 1967, 122 min., b\/n, 35mm
\n<\/span>jueves 20
\n<\/strong><\/span>\u00ab<\/span>Valpara\u00edso mi amor<\/strong><\/span>\u00bb, Aldo Francia, 1969, 87 min., b\/n, 35mm
\n<\/span>viernes 21
\n<\/strong><\/span>\u00ab<\/span>Largo viaje<\/strong><\/span>\u00bb, Patricio Kaulen, 1967, 83 min., b\/n, 35mm
\n<\/span>s\u00e1bado 22
\n<\/strong><\/span>\u00ab<\/span>La dama de las camelias<\/strong><\/span>\u00bb, Jos\u00e9 Bohr, 1947, 95 min., b\/n, 35mm
\n<\/span>domingo 23
\n<\/strong><\/span>\u00ab<\/span>El H\u00fasar de la Muerte<\/strong><\/span>\u00bb, Pedro Sienna, 1925, min., b\/n, 35mm
\n<\/span>CICLO 4 \u2022 <\/em><\/span>CINE MUDO ALEM\u00c1N <\/em><\/strong><\/span>en conjunto con Cinemateca Goethe-Institut
\n<\/em><\/span>lunes 24
\n<\/strong><\/span>\u00ab<\/span>El \u00faltimo hombre<\/strong><\/span>\u00bb, Friedrich Wilhelm Murnau, 1924, 78 min., b\/n, 16mm
\n<\/span>martes 25
\n<\/strong><\/span>\u00ab<\/span>Dr. Mabuse, el jugador<\/strong><\/span>\u00bb, Fritz Lang, 1921, 99 min., entret\u00edts. alem\u00e1n, b\/n, DVD
\n<\/span>mi\u00e9rcoles 26
\n<\/strong><\/span>\u00ab<\/span>La mu\u00f1eca<\/strong><\/span>\u00bb, Ernst Lubitsch, 1919, 50 min., entret\u00edts. alem\u00e1n, b\/n, 16mm
\n\u00ab<\/span>La princesa de las ostras<\/strong><\/span>\u00bb, Ernst Lubitsch, 1919, 48 min., entret\u00edts., b\/n, 16mm
\n<\/span>jueves 27
\n<\/strong><\/span>Funciones: solamente 19:00 (por eventos del CCPLM)
\n<\/em><\/span>\u00ab<\/span>Metr\u00f3polis<\/strong><\/span>\u00bb, Fritz Lang, 1927, 123 min., versi\u00f3n restaurada, b\/n y coloreada, DVD
\n<\/span>viernes 28
\n<\/strong><\/span>\u00ab<\/span>Tartufo<\/strong><\/span>\u00bb, Friedrich Wilhelm Murnau, 1925, 70 min. entret\u00edts. alem\u00e1n, versi\u00f3n restaurada, b\/n, DVD
\n<\/span>s\u00e1bado 29
\n<\/strong><\/span>\u00ab<\/span>Asfalto<\/strong><\/span>\u00bb, Joe May, 1928\/29, 89 min, b\/n, 16mm
\n<\/span>domingo 30
\n<\/strong><\/span>\u00ab<\/span>Metr\u00f3polis<\/strong><\/span>\u00bb, Fritz Lang, 1927, 123 min., versi\u00f3n restaurada, b\/n y coloreada, DVD
\n<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"Por Paty Leiva Uno de los grandes aportes y atractivos del Centro Cultural Palacio la Moneda, es la nueva Cineteca Nacional, que durante abril, ofrece una variada cartelera con ciclos de cine chileno, sud-italiano, y cine mudo alem\u00e1n, donde incluir\u00e1n la alucinante y futurista Metr\u00f3polis (1927), de Fritz Lang. Las funciones son de lunes a […]<\/p>\n","protected":false},"author":8,"featured_media":49548,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[15],"tags":[41],"blocksy_meta":{"styles_descriptor":{"styles":{"desktop":"","tablet":"","mobile":""},"google_fonts":[],"version":6}},"gutentor_comment":3,"_links":{"self":[{"href":"https:\/\/www.zancada.com\/wp-json\/wp\/v2\/posts\/656"}],"collection":[{"href":"https:\/\/www.zancada.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.zancada.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.zancada.com\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/www.zancada.com\/wp-json\/wp\/v2\/comments?post=656"}],"version-history":[{"count":0,"href":"https:\/\/www.zancada.com\/wp-json\/wp\/v2\/posts\/656\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.zancada.com\/wp-json\/wp\/v2\/media\/49548"}],"wp:attachment":[{"href":"https:\/\/www.zancada.com\/wp-json\/wp\/v2\/media?parent=656"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.zancada.com\/wp-json\/wp\/v2\/categories?post=656"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.zancada.com\/wp-json\/wp\/v2\/tags?post=656"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
![\"Cineteca\"](\"https:\/\/zancada.com\/wp-content\/imagenes\/cineteca.jpg\")